Producers, production companies, screenwriters, directors and creative executives interested in adapting original fiction, or your personal experiences.

I want discussions about screen rights, options, development partnerships, producer attachments and adaptations.

Literary agents, publishers, editors and international rights specialists interested in fiction, literary collections and narrative nonfiction.

This includes AI Between Us, standalone novels, and Invisible Woman: A New Strategy of Resistance.

Documentary filmmakers, investigative producers, journalists and narrative nonfiction collaborators.

I offer my ongoing experiences involving military institutions, security processes, personal relationships, litigation and public accountability.

Universities, research organisations, conference organisers, publishers and creative technology companies.

Potential subjects include AI-assisted legal reasoning, human judgment, institutional decision-making, cognitive augmentation, and the intersection of artificial intelligence with storytelling.

Audio-drama producers, podcast studios and digital storytellers interested in adapting original fiction, experimenting with AI-assisted creative production.

I am also interested in developing investigative podcasts, documentary audio series and narrative projects inspired by my personal experiences.

Through my music project Isabel Arden, I create original music.

I welcome collaborations with music supervisors, film and television producers, advertising agencies, game developers, record labels, digital creators and other professionals seeking distinctive music for their projects.